年 5 月 24 日至 26 日，中国书法家协会和绍兴市政府精心筹备的源流 · 时代 —— 以王羲之为中心的历代法书与当前书法创作暨绍兴论坛学术主题系列活动在中国文化名城——绍兴成功举办。 From May 24th to 26th , 2019 , the source and era carefully prepared by the Chinese Calligraphers Association and Shaoxing City Government— the historical script books and current calligraphy creation centered on Wang Xizhi and the academic theme series activities of Shaoxing Forum in Chinese cultural cities— — Shaoxing was successfully held.
This is a grand event that aims to activate the vitality of past calligraphy and lead the development direction of contemporary calligraphy. It is yet another in-depth exploration and practice of the creative orientation of “rooting tradition, encouraging innovation, combining both art and literature, and being diverse and tolerant”. 贯彻落实习近平总书记关于文艺工作的重要论述和指示精神，引导广大书家和书法工作者自觉担负起 “ 以文化人、以文育人、以文培元 ” 的使命。 The activity is closely related to the current calligraphy creation, discovering problems, correcting current shortcomings, prompting contemporary and technical skills, working hard to prepare the theory and practice for the forthcoming 12th National Calligraphy Engraving Exhibition, and implementing the practical practice of General Secretary Jinping on literature and art. The important exposition and instructional spirit of the work guided the majority of calligraphers and calligraphers to consciously assume the mission of " educating people with culture, educating people with culture, and cultivating people with culture. "
Li Yi, party secretary and vice chairman of the China Federation of Literary and Art Federations, attended the opening ceremony and delivered a speech. Chairman of China Book Association Su Shizheng and Shaoxing Municipal Party Secretary Ma Weiguang delivered speeches respectively. 1000 余人齐聚绍兴，寻源问道，共同完成了跨越传统经典与当前书法创作的对话。 More than 1,000 well-known experts and scholars from home and abroad, hundreds of participating authors, and calligraphers from the book associations of all provinces and cities and the book industry of the industry gathered in Shaoxing. They asked for the source and jointly completed the dialogue that spanned the traditional classics and the current calligraphy creation. . The opening ceremony was chaired by Chen Hongwu, secretary of the Party Group of the Chinese Book Association and vice chairman of the committee.
Li Yi said that the cause of calligraphy is an important part of socialist literature and art, and the majority of calligraphy workers are an important force for the prosperity of socialist literature and art. In recent years, the Chinese Book Association has profoundly understood the significance and profound connotation of General Secretary Xi Jinping's speeches on literary and art work, firmly grasped the epochal, academic, and leading nature of calligraphy work, and adhered to the harmonious unity of both moral and artistic cultivation and both art and literature. Breaking the inherent conceptual constraints, breaking through the usual working methods, creatively integrating classic law books, creative practice, theoretical research, and academic criticism. This theme forum invites national experts and scholars and key book scholars to focus on the contemporary calligraphy The current situation and problems, based on traditional culture, based on document data, based on discussion and debate, and aimed at bacon and soul, aim at brainstorming, expand horizons, keep up-to-date, and build consensus, clarify ideas and clear directions for the development of calligraphy Is very important.
Li Yi pointed out that calligraphy, as an important carrier of Chinese culture, inherits history and affects the future. Leading and opening up the new era and new realm of calligraphy art in the new era is the responsibility and mission of every calligraphy worker: first, the creation of calligraphy should be based on culture, and strive to achieve both art and literature; second, calligraphy workers should be based on the people As the center, I went into the deepest part of practice; the third is that the spirit of calligraphy must go hand in hand with the times and have the courage to answer the issues of the times.
The event is divided into three parts: the ancient chapter, the contemporary chapter, and the Shaoxing Forum. It consists of five exhibitions and two forums. Adopting a case-based curatorial concept and taking the two kings and one pulse as the starting point, the aim is to focus on phenomena and problems and facilitate centralized discussion. The ancient articles consist of three thematic exhibitions: "Get the Best of Your Love-Wang Xizhi's Ruler", "Hundreds of Generations-Wang Xizhi's Pedigree" and "Wang Xizhi's Research Achievements Exhibition". The contemporary chapter continues the new mode of "creation ← → academic ← → criticism", which includes "Wenmo and Tonghui——Hanmo Articles in Classical Books of Different Dynasties" and "My Book and My Heart——Textual Expression of Contemporary Book Scholars" Composed of two exhibitions. The Shaoxing Forum includes two thematic seminars, "Wang Xizhi and the Construction of the Second Wang Xue" and "From the Origin and Age to the Twelfth National Exhibition". During the three-day seminar, the participating experts, scholars, participating authors and all representatives stood at the height of the development of the calligraphy industry, and carried out a warm and sincere discussion with a sense of problem and a spirit of criticism. Everyone thinks in observation, learns from each other in collision, deeply reflects on the current problems in calligraphy creation, further clarifies the thinking, and condenses the consensus. This event is a more comprehensive exhibition academic activity following the "Wuhai Forum". The highlights are numerous, and it is more important to point out the direction for the current calligraphy creation from three levels.
激活传统经典法书的文化潜力 I. Tracing the origin and activating the cultural potential of traditional classics
The in-depth thinking on traditional classic calligraphy is an ever-fading proposition. This event takes Shaoxing's unique calligraphy complex as an opportunity, and uses the two kings and their genealogy as the starting point to guide everyone to deeply understand the cultural and artistic value of classic calligraphy. Observe the trajectory of the traditional classics from the perspective of history, and strive to present the grandeur and grandness of the traditional classics. 300 种。 The exhibition of the ancient articles was assisted by the National Palace Museum and the National Library of China. "To the best-Wang Xizhi's ruler" exhibited nearly 300 kinds of the second king's writings in the Ming and Qing dynasties' secret collection of the National Library . And invited experts from the second Wang Xue at home and abroad to participate in the interpretation of exhibits. 12 件，法书墨迹 17 件。 "Hundreds of Generations-Wang Peizhi's Pedigree" exhibited a total of twelve rare posters from the Forbidden City Museum , and 17 inks from the French scriptures . "Wang Xizhi's Research Achievements Exhibition" focused on the outstanding research achievements of scholars at home and abroad. The exhibition sparked a lively discussion among the delegates. Experts interpreted it in a simple way, which narrowed the distance between the viewer and the classic scriptures. The "Shaoxing Forum" section invited experts from the "Two Kings" at home and abroad to come together to sort out the "Two Kings" pedigree and discuss the construction of "Two Kings". This is a series of collating and summarizing the development of the two kings and their calligraphy genealogy, making the history of the second king and the second king of history more clear, showing the extension of the history of calligraphy from the source and the times. Important aspects have important milestones in the history of contemporary calligraphy.
孕育适应时代要求的创作形态 2. Transforming ancient times into the present, breeding creative forms adapted to the requirements of the times
Objectively recognizing the shortcomings in the current calligraphy creation is an important prerequisite for us to accurately locate our history and consider the requirements of the times. 96 位骨干书家对经典法书的理解、表现以及我书我心的创作状态立体地呈现出来。 The two exhibitions of "Contemporary Chapter" present three-dimensionally the understanding and expression of the classic Fashu by 96 key scholars in the form of copying and autonomy . "Wenmo and Tonghui——Hanmo articles in classic scriptures of all ages" requires copying classic scripture works from the Eastern Jin Dynasty to key writers in the Qing Dynasty. "My Book, My Heart-The Textual Expression of Contemporary Book Scholars" requires the author to use his own composition as his creative content. Participants can transcend the boundaries of time and space to complete the reading and reflection on ancient and modern times, inspiring new thinking in the interaction between viewers and authors, ancient and modern, temporary studies, and self-government, and then revealing the culture of ancient calligraphy and calligraphy. Character provides an opportunity for creating masterpieces with the cultural connotation and characteristics of the new era.
陶铸当前书家创作的精神内蕴 Third, the original version of Qingyuan, Tao Zhu's spiritual connotation of current book creation
The spiritual connotation was casted by calligraphers in the deep understanding of traditional classics and mellow cultural cultivation. The spirit of the times we describe is exactly the collection of this spiritual connotation. In the debate from "From the Source Age to the Twelfth National Exhibition", the China Book Association invited more than ten guest speakers from three levels: "Exhibition and Position", "Vision and Perspective", and "Vertical and Dimensional". The current problems in calligraphy creation have been thoroughly analyzed. The three group debates were chaired by Ye Peigui, Qiu Zhenzhong and Cong Wenjun. Liu Hongbiao, Sun Xiaoyun, Xu Liming, Bao Xianlun, and Liu Heng pointed out the crux of current calligraphy creation from the perspective of exhibition review; Chen Shengkai expounded the creative mentality and confusion from the author's standpoint. Bai Qianshen, Chen Lusheng, Wang Qiang, Hong Huizhen, and Bi Luo cut through the perspectives of art history, literary history, and cross-cultural perspective to provide authors and viewers with more perspectives on the current calligraphy creation. Huang Zhe, Liu Tao, Li Yi, Zhang Tiangong, Xue Longchun analyzed the cultural significance of classic calligraphy from a historical standpoint, and thus reflected the lack and misunderstanding of current calligraphy creation. The debate on "a questioning of current calligraphy creation" was chaired by Chen Zhenchen. The majority of participants were inspired by the enthusiastic interactive analysis, spoke enthusiastically, put forward their own opinions and confusions, and pushed the debate in the interweaving of various topics. Orgasm.
This event cuts through the two kings and their genealogy, and presents the vitality of traditional classics to the people in a vivid form of multi-dimensional dialogue between ancient and modern times. At the same time, it clarifies the responsibilities and responsibilities of calligraphy workers in the new era. The people-centered purpose is to improve personal cultivation on the basis of profound reflection on traditional classics, to understand the new era with a modest and pragmatic attitude, to devote to the new era, to sing a new era, and to write a new era.