年6月25日至28日，由中国书协主办的“当代中青年书法理论批评家高研班”在京举办。 In order to thoroughly implement the spirit of General Secretary Jinping ’s important speech on literary criticism, from June 25th to 28th , 2019 , a “High-level Course for Contemporary Calligrapher Critics of Contemporary Young Scholars” hosted by the China Book Association was held in Beijing. 位活跃在高等院校、艺术媒体以及其他文化机构的中青年书法理论批评家参加了培训和研讨。 Thirty - eight young and middle-aged calligrapher critics active in universities, art media, and other cultural institutions participated in the training and seminars.
China Federation of Literary and Art Circles and Chinese Book Association attaches great importance to the teaching work of contemporary seminars for young and middle-aged calligraphy critics. 日上午，中国文联党组书记、副主席李屹为此次高研班作了《正本清源守正创新——从习近平总书记有关文艺批评论述谈起》的专题讲座，结合当前全国文艺界的整体发展趋势和书法界的实际状况，回顾了当前中国书法事业的基本成就，指出了书法事业面临的主要问题，反思了书法批评面临的挑战，指明了书法批评者所要承担的使命与担当。 On the morning of the 25th , Li Yi, Secretary of the Party Leadership Group and Vice Chairman of the China Federation of Literary and Art Federations, gave a special lecture entitled "Clear Sources, Keep Sources, and Innovations-Talking from General Secretary Xi Jinping's Discussion on Literary and Art Criticism" for the high-level seminar, combining the current overall development of the literary and art circles in China Trends and the actual situation of the calligraphy world, reviewed the basic achievements of the current Chinese calligraphy industry, pointed out the main problems facing the calligraphy industry, reflected on the challenges faced by calligraphy criticism, and pointed out the missions and responsibilities of calligraphy critics. Li Yi pointed out that, as a critic of calligraphy theory, "Bacon casts soul", has a glorious mission and a great responsibility. 通过学术和批评，进一步推动当前书法创作，努力创建书法理论批 It is necessary to arm the mind with Xi Jinping's ideology of socialism with Chinese characteristics in the new era, strengthen cultural self-confidence, adhere to integrity and innovation, and effectively strengthen "foot, eyesight, brainpower, and penpower", and consciously undertake to raise the banner, gather people's hearts, cultivate new people, promote culture, and display the image. Mission of leading the fashion with Mingde, being a critic of calligraphy theory in the new era of virtue and art, shouldering the important responsibilities of inspiring thoughts, shaping sentiment, and moistening the soul, and taking on cultural, cultural, and cultural Pei Yuan's mission; talk about taste, style, and responsibility. Theoretical critics should consciously pursue Lideshuren and virtues, and consciously follow and continuously improve the ideological taste and spiritual realm of the work, and adhere to the correct value pursuit , Put social benefits first, give full play to the spring wind and rain of calligraphy works, moisturize the silent role, consciously practice and carry forward the core values of socialism, stressing taste, and emphasizing morality; strengthen organizational coordination, guide the direction of the scholars, recultivation, Show talent, shape the pattern , further promote current calligraphy creation through academics and criticism, and strive to create a batch of calligraphy theory Comment on the good situation of health and harmony.
周年献礼。 Li Yi emphasized that in view of the current lack of culture, vague standards, blind follow the trend, plagiarism and other similar phenomena in the field of calligraphy, calligraphy theory criticism should find the focus of the disease, solve the cause, and build historical, people's, artistic, and aesthetic calligraphy criticism. The discourse system should maintain the ability to discern the direction, effectively return the calligraphy creation to the persistent pursuit of beauty, truly give the calligraphy art a Chinese spirit, Chinese style, and Chinese charm, and present the 70th anniversary of the founding of New China with even more outstanding achievements.
The purpose of this training course is to systematically explore and engage in practical research, to promote the moral practice of young and middle-aged theoretical critics, to strengthen cultural self-confidence, and to adhere to artistic ideals; to highlight the ideological and spiritual building of young and middle-aged theoretical critics, and to illuminate the theory Criticize the light of candlelight in advancing the development of calligraphy art, return to academics, enlighten the future, and live up to the high hopes and entrustments of the times; criticize the current status of weak, lagging, and absent criticism of current calligraphy theories, and take on the responsibility and keen insight of timelessness Examine the current status quo, analyze the existing problems, and gradually explore the establishment of a new era of calligraphy aesthetic standards, evaluation system and cultural style. The teaching of "High-level Course for Contemporary Young and Middle-aged Calligraphers and Critics" adopts famous lectures, interactive questions and answers, research and discussion, etc., to clarify the theme, set the direction, pinpoint the symptoms, put the good pulse, put forward insights, be brave enough to overcome the current disadvantages, and revive contemporary calligraphy. Theoretical criticism leads the healthy development of the style of the times.
This high-level research course lasts for one year. The intensive face-to-face tuition has been adjusted in the curriculum setting. In addition to the traditional expert lectures, an open class discussion has been added. Through expert elaboration, guests and student interaction, it stimulates students to actively think. During the lecture, Zhong Chengxiang, Chairman of the Chinese Literary Critics Association, combined the art of calligraphy with the title of "Bacon Soul and Calligraphy Art" to elaborate the advanced nature of the party's literary and artistic policy in the new era, and profoundly explained the social function of bacon and soul ; Xue Yongnian, professor of the Central Academy of Fine Arts, took the topic "Talking Calligraphy from the Perspective of the History of Art," and put calligraphy in the entire framework of art history for a multi-dimensional observation; Qiu Zhenzhong, professor of the Central Academy of Fine Arts, used "Four Levels of Criticism" The topic analyzes the level of calligraphy criticism in depth. Chen Zhenxuan, vice chairman of the Chinese Federation of Literary and Art Circles and vice chairman of the Chinese Book Association, systematically expounds the construction of the contemporary calligraphy criticism system under the title "Evaluation System and Methodology of Contemporary Calligraphy Criticism". In addition to the lectures given by the experts, two interactive seminars were held. The first was a special discussion on the "Historical Review of Chinese Calligraphy Criticism", chaired by Professor Cong Wenjun of Jilin University and deputy directors of the Academic Committee of the Chinese Book Association. , Guided students to briefly review the representative criticism works in the history of Chinese calligraphy, and fully discussed the academic position that calligraphy criticism should uphold, the comparison between Chinese and Western art criticism theory, and the reconstruction of current calligraphy criticism; Former deputy director of China Book Association Academic Committee Zhou Junjie, and members of China Book Association Academic Committee Hu Chuanhai and Jiang Shoutian as academic guests, a special discussion on "Reflection on the Status Quo of Contemporary Calligraphy Criticism", in-depth analysis and inspection of the current situation and crux of contemporary calligraphy criticism .
天的课程安排科学紧凑，贴合实际，内容丰富，既有历史回顾、当代审视，也有跨界聚焦、思想碰撞。 The four- day course is scientifically compact, practical, and rich in content. It includes both historical review, contemporary review, cross-border focus, and collision of ideas. The students of this advanced research class are mainly professors who are engaged in calligraphy teaching research in colleges and universities in the country, and contemporary calligraphy critics, column writers who are engaged in postgraduate and postgraduate studies, news media engaged in editorial communication and promotion, and engaged in relevant national cultural institutions. Experts and scholars in the study of art theory criticism. Both the teaching experts and the trainees, with a strong sense of the responsibility of the times, actively explored the practical problems of contemporary calligraphy theory and criticism, and showed a deep sense of anxiety and humanistic feelings. In addition to the intensive lectures, participants also discussed in groups. Everyone said that they must delve deeper into business knowledge, improve their professionalism, strengthen their theoretical and critical skills, and contribute their wisdom and strength to the healthy development of the calligraphy industry.
Chen Hongwu, Secretary of the Party Group of the Chinese Book Association and Vice Chairman of the Committee, Zheng Xiaohua, Deputy Secretary and Secretary of the Party Group of the Chinese Book Association, Zhang Xiaoyu, member of the Party Group of the Chinese Book Association, Wu Zhanliang, Deputy Secretary-General of the Chinese Book Association (China Federation of Calligraphy and Art) Director Wang Yan, deputy general manager of China Calligraphy Publishing and Media Co., Ltd., chief editor of China Calligraphy Magazine, chief editor of China Calligraphy Newspaper, and persons in charge of the various departments of the China Book Association and directly-affiliated units participated in the relevant training activities.
Chinese Calligraphers Association
High-level seminar for contemporary young and middle-aged calligraphic critics
人） ( 38 people)
Yu Youdong Wang Xingguo Wang Shoumin Wang Junling Gongpu Tian Yanjing
Ran Lingjiang Qiu Xinqiao White sharp Cheng Lian Fang Zhu Zhongyuan Liu Tianqi
Liu Yunpeng Mi Huaxiang Xu Chuanliang Li Yifeng Yang Erbin Yang Tiancai
Yang Brave Yang Jiawei Yang frequency Wu Peng Zhang ice Zhang wave
Zhang Shengwei Chen Shengkai Chen wisdom Fan Guoxin Zheng Changan Zong Chengzhen
Liu Guoliang Gu work Cui Shuqiang Peng Shuanglong Ge Fuchang Dong Shuirong
Yu Xiaoyong Xue Shuaijie