，湖南省人民政府副秘书长彭翔分别致辞，中国书协主席苏士澍在开幕式上讲话并宣布展览开幕。 Zhang Hongsen , member of the Standing Committee of the Hunan Provincial Party Committee and the Propaganda Department of the Provincial Party Committee, and Peng Xiang, the Deputy Secretary-General of the Hunan Provincial People's Government, respectively addressed the opening ceremony. The opening ceremony was chaired by Chen Hongwu, secretary of the Party Group of the Chinese Book Association and vice chairman of the committee.
4000余人 参加开幕式。 Chen Zhenxuan, Vice Chairman of the Chinese Federation of Literary and Art Circles, Vice Chairman of the Chinese Book Association, Wen Xuande, Former Deputy Secretary of the Hunan Provincial Committee, Li Yiheng, Former Hunan Provincial Committee Standing Committee, Tang Zhixiang, Former Vice Governor of the Hunan Provincial Government, Tan Zhongchi, Former Vice Chairman of the Hunan Provincial CPPCC, Former Vice Chairman and Chairman of the Provincial Cultural Federation Ouyang Bin, Hunan Provincial Cultural Federation Party Group Secretary, Vice Chairman, Secretary-General Xia Yisheng, Hunan Provincial Cultural Tourism Agency Deputy Director, Provincial Book Association Chairman Fufu Chu, China Book Association Vice Chairman Mao Guodian, Liu Jinkai, Sun Xiaoyun , Zhang Jianhui, Gu Yalong, Zheng Xiaohua, Deputy Secretary and Secretary-General of the China Book Association Branch, Pan Wenhai, Deputy Secretary-General of the China Book Association Branch and Deputy Secretary-General, Wu Zhanliang, Deputy Secretary-General of the Chinese Book Association, and the Hunan Provincial Government, Changsha Municipal Party Committee, Relevant leaders of the municipal government, relevant experts of the 12th National Exhibition, heads of relevant departments of the China Federation of Literary and Art, Chinese Calligraphers Association, more than 4,000 people , including calligraphers, calligraphy enthusiasts, and journalists from national exhibitions throughout the country, attended the opening ceremony. .
The 361 works (246 regular script and 115 official script) in this exhibition are rich in content, diverse in style, inherited from ancient times, inherited and innovated, or calm, simple and honest, or meticulously written, or in a unique form. On the whole, it has the following characteristics: First, the classic consciousness is prominent, and the digging and absorbing of traditional ancient methods is more conscious and deep. The second is a diversified orientation. In the past, the phenomenon of blind follow-up has reversed. The script of the small print is diverse and its beauty is beautiful; the script of the large print is ancient and new, showing the ups and downs; the aesthetics of Lishu works are rich, the method is free and open, and the personality is relatively prominent. The third is the pursuit of both art and literature, and has made significant progress in terms of accuracy and standardization. Fourthly, new works and new works are constantly emerging, especially those with higher calligraphy education backgrounds, which shows that the calligraphy creation team in the new era is vigorous and full of strength. At the same time, the "National Masters Invitational Exhibition" held a total of 78 regular script and official script works. The entire exhibition basically represents the overall level and aesthetic pursuit of the current regular script and official script creation. The 12th National Exhibition of Calligraphy, Engraving, Sealing and Engraving has been opened in Jinan, Shandong on November 10th, and the Running and Cursive Calligraphy Exhibition will be opened on December 10th in Baoji, Shaanxi. The three-legged exhibition structure constitutes a wonderful chapter in contemporary calligraphy art.
The four-yearly National Calligraphy and Seal Engraving Exhibition carries deep social expectations and the trust of the times. The Chinese Calligraphers Association thoroughly implements the internship in the new era of socialism with Chinese characteristics and the party's cultural strategy, adheres to the artistic concept of “rooting traditions, encouraging innovation, combining both art and literature, and diversity and tolerance”, and focuses on producing quality products and talents. , Summarize history, pay attention to the present, look to the future, and strive to guide the majority of calligraphers and calligraphers to strengthen their cultural self-confidence, continue the Chinese context, grasp the pulse of the times, cast the aesthetics of the era, and climb the peak of art.
In order to ensure that the review is fair, just, sunny, and clean, this year's National Exhibition adheres to strict wording, keeps the discipline ahead, and the review work implements a strict avoidance system; adheres to system thinking, the actual word is the key, and meticulous and rigorous program design guarantees All participants have clear responsibilities, awe, and the bottom line; adhere to the problem-oriented, work hard in detail, and strive to build a "trinity" review mechanism of the review committee, supervisory committee, review review committee , and two "re-evaluation review" and "final review review" The key link is to implement a high percentage of random interviews and assessments, increase the review of text, strive to create scientific, professional, and authoritative review, and to demonstrate the academic character and humanistic spirit of contemporary calligraphy.
In order to scientifically analyze the phase characteristics of the development of contemporary calligraphy, to delve into the problems and challenges facing the institute, and to make targeted and precise efforts, the Chinese Book Association stands at the height of the development of calligraphy in the new era, with a deep sense of problems, and will set the correct political direction. The creative orientation and value orientation run through the whole process of the 12th National Exhibition. The 12th National Calligraphy and Seal Cutting Exhibition in Changsha · Wangcheng Forum is specially set up for the National Exhibition. The keynote speech session was chaired by Chen Zhenhuan, and the academic dialogue session was chaired by Zheng Xiaohua. Gu Yalong, Zhang Jianhui, and Liu Jinkai respectively gave special reports on "A Review of the State of the Script Creation of the Twelfth National Exhibition", "A Brief Analysis of the Status Quo and Development of Contemporary Lishu", and "Interviews with Current Authors from the Interview of the Twelfth National Exhibition". Experts such as Mao Guodian, Liu Heng, Zhang Ji and Li Xiao held academic dialogues and interactive exchanges with participants on issues related to the 12th National Exhibition.
During the national exhibition, Hunan Provincial Book Association, Hunan Provincial Book Court, and Hunan Provincial Museum co-organized seven major calligraphy exhibitions in Hunan. The "Millennial Ink Paintings of the Past-Calligraphy Exhibition of Chinese Jianyi" held at the Hunan Museum exhibited 380 pieces of Jianyi calligraphy from eight museums in Gansu, Hubei, and Hunan, and outlined the art of Jianyi calligraphy from the Warring States Period to the Wei and Jin Dynasties. Features and development history. At the same time, the "National Simplified Chinese Calligraphy Forum" was held. 长沙望城区举办。 "The Seventh Calligraphy Works Exhibition of Hunan Province" was held in Hunan Art Museum; "Hunan Province Lishu Works Exhibition", "Hunan Province Book Works Exhibition", "Hunan Province Seal Cutting Works Exhibition", "Hunan Province Cursive Works Exhibition" in Hunan Province The exhibition hall was held; "Hunan Province Regular Calligraphy Works Exhibition" was held in Wangcheng District, Changsha. 全国第十二届书法篆刻楷书隶书展交相辉映，展示了湖湘文化的深厚底蕴和湖南书法创作的崭新成果。 The above exhibitions complement the Twelfth National Calligraphy Seal Calligraphy Lishu Exhibition and show the profound heritage of Hunan culture and the new achievements of Hunan calligraphy creation.